World Fine Art Professionals and their Key Pieces, 182 - Ida Ivanka Kubler

Ida Ivanka Kubler transforms cocoons left behind by the silk moth from their original identity into transcendent assemblages of colorful circle settings consisting of an abundance of painted and sculpted silk cocoons.

Ida Ivanka Kubler has created a series of artworks entitled ‘The Birth of An Idea’. Kubler: “Cocoons are the main material of my Birth of An Idea series…  Silkworms spin around themselves 10,000 times to make a cocoon; they will only create a cocoon in complete silence. My artwork communicates this creative silence to the viewer, illuminating a pathway to one’s own inner gifts.”

Farm in Bulgaria

Of her works’ impact on the viewer, Kubler says,  “My artwork creates portals of possibilities that allow viewers to recognize a hidden portion of themselves; it leads them to an inner zone of tranquil beauty.”    

How was she inspired to use cocoons in her artwork? Ida: “Cocoons and art were my childhood toys and safety net. I grew up in my grandparents’ sericulture (silkworm breeding farm) in Bulgaria at the border with Greece during Communist times. My days were filled with work and very few toys. My grandfather impressed upon me the need to be completely silent when I was around the silkworms; this fascinated me. At the age of five, I made my own toys by painting little faces on abandoned cocoons. Later, I crushed some red bricks and mixed the powder with water to create a beautiful reddish orange color that I then applied to the abandoned cocoons to create little cocoon sculptures.”

Five hundred people involved

She has numbered the Birth of an Idea series with roman numerals. There are approximately 60 completed works to date in a series that will total 100 artworks at its conclusion.  What does Kubler consider her key work in this series? Says Kubler, “I would say Birth of An Idea LXV.  Birth of An Idea LXV (see image 4) is not only the largest piece in the series to date (100” x 50”), it was the first work to be commissioned by a charity. This charity is located in San Francisco, California; it transforms treatment areas in hospitals into havens of beauty and creativity. The artwork contains approximately 500 cocoons. Five hundred people were involved in the creation of this piece and in the financial support for the organization. Each cocoon has the name of the participant inscribed inside it. The colors are bright cadmium yellow in the middle to symbolize strength, and king’s blue in the background to symbolize communication.” 

The Birth of An Idea series was inspired by the simple forms, strong colors and large-scale size of Rothko’s works, she says. “In this way, the viewer “enters” the artwork’s subliminal atmosphere of hope and healing.”

Children’s art school

How did she become an artist? Says Kubler, “I think one is born an artist and you decide whether or not to ignore this gift: To choose between the pain of discipline or the pain of regret. I chose the joy of discipline!

My earliest formal training was at the age of six when my mother took me to Peace Flag,  the leading children’s art school in my home town of Haskovo. While still a small child, I learned the techniques for drawing/painting still lifes, landscapes and figurative art. I even learned how to restore church murals. I studied at Peace Flag for eight years and then went to a nearby, private art school twice weekly for eight hours each day in preparation for applying for the National Academy of Arts in Sofia, Bulgaria.”

Her most influential studies as an adult were at this Academy in Sofia, the University of Applied Arts in Bielefeld, Germany, and at Chelsea College of Arts in London, UK.

“My earliest professional art show was at the age of 14, at The Union of Artists in my hometown. Those first sales were very exciting and encouraged me to pursue a career as a professional artist.  Subsequent exhibitions in Bulgaria and Germany offered further encouragement to continue along this career path,” she adds.

In 2012, she had her most successful solo exhibition in Westbourne Grove Church ArtSpace in Notting Hill, London. Kubler: “This was my first fully sold out exhibition. These sales financed my move to New York City. My art career has continued to flourish here in the USA via private commissions and gallery sales both in the USA and abroad.” 

Dutch professor

Does she have a philosophy or a guiding principle about art in general and her art in particular? Indeed, she does. Ida: ”Once I had a Dutch professor at the University of Applied Arts in Bielefeld, Germany, who said, “If you wish to follow a genuine art idea, try to pretend you know nothing in the creation process, as though you just fell off another planet -- as though you were just born and you get to create your own rules. Then, in the realization process, use all the knowledge and training that you have gathered from this World to express this idea.”

“From this sage advice, I learned not be drawn to rules or habits, but to create outside my comfort zone and then apply my training to realize the artwork. In this manner, I feel empowered to experiment with new materials and artistic expressions.”


1) The Birth Of An Idea XXXIII.  This most complex piece of the series to date contains many applications of different colors: bright glossy orange in the middle, then copper, then blue, a tint on the back of the cocoons, all with orange on the tips, 2) Ida Ivanka Kubler, portrait, in the background key work Birth of An Idea LXV 3) The Birth Of An Idea II.  Sculptural light creates one of the most powerful pieces in the series. This vibrancy was achieved by contrasting the strong Cadmium Touch with Payne's Grey in the background, 4) The Birth Of An Idea LXV, 5) The Birth Of An Idea XI.  This piece features Naples yellow and deep violet in an exciting interplay of hues. It is the only piece in the series in which the middle tone is darker than the background colour, 6) The Birth Of An Idea XII.  The red center blossoming out into a green background are reminiscent of flowers in a field, conveying a Spring-like feeling to the viewer, 7) The Birth Of An Idea XIX. The unique ‘neutral’ grey background serves to further enhance the brilliance of the solid, sunny yellow cocoons coupled with bright yellow cocoons adorned with grey tips, 8) The Birth Of An Idea XV, detail.  This powerful piece features bright, slightly colder yellow and bright pink magenta cocoons contrasted by a tint colour on the back of the cocoons. This tinting increases the vibrancy of the cocoons while creating dark shadows on the yellow background, 9) The Birth Of An Idea XV, side photo,  10)  Birth Of An Idea XV, 11) The Birth Of An Idea XVI.  The viewer is drawn into this piece via an interplay of green cocoons touched with hints of red swimming in a sea of a powerfully playful bright red, 12) The Birth Of An Idea XVII.  The first piece in the series to feature dots as well as an interplay of two levels of the same tone in the background – a lighter green and darker green. The earthy, spring cinnabar green and glossy orange cocoons are graced with dots in a contrasting dark blue, 13) The Birth Of An Idea XXVIII.  Bright and warm, the brilliant red center explodes into sunny yellow cocoons that appear to magically transform into the sunshine yellow background, 14) The Birth Of An Idea XXXV.  This artwork combines a feminine explosion of pink with a subtly masculine background colour to create a perfectly balanced expression of delight. 



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